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Erica Synths – DSP FX Expansion Rom
SALE, Effects, Utilities, MIDI, NEWRp450.000,00DSP FX expansion ROM adds third extra bank with 8 new effects to your Black Hole DSP! Shimmer reverbs, gritty distorted delays and fun mini loopers will take your Black Hole DSP unit to the next level of fun.Features
- MONO DELAY – Classic delay effect from the beloved Pico DSP with nasty feedback.
- SHIMMER+ – Number 1 request from all BH DSP users. Shimmer+ is a reverb algorithm with a +12 semitone pitch shifter in the feedback path.
- SHIMMER DRIFT – Reverb similar to Shimmer+, but with adjustable pitch shifter instead of amount setting.
- PITCH SHIFTER – Dual pitch shifter algorithm with +12 or -12 semitone settings on each of them and crossfade between them with the Dry/Wet knob.
- RIPPER – Digital emulation of our FusionBox vacuum tube BBD delay & overdrive unit.
- LP FREEZER – Mini sampler/looper with low pass fillter at the end. (max sampling time is 0.5s)
- HP FREEZER – Mini sampler/looper with hi pass filter and reverb at the end.
- DRONE BANK – Three oscillator drone bank where input 1 and 2 works as FM inputs for the OSC 1 and 2.
NB! To install the FX expansion ROM – before turning on the module, the patch knob has to be on its MAX level.
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Erica Synths – Pico Quant
SALE, Effects, Utilities, MIDI, NEWRp2.050.000,00Erica Synths Pico Quant is an advanced CV quantizer with some unique features – quarter tone accuracy and a web-based interface for creating user generated scales.Features
- 8 preset scales
- Web based interface for user generated and extra preset scales
- Microtonal quarter tone scales
- Adjustable tolerance
- Adjustable CV glide between notes
- Clocked and independent quantization
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Make Noise – Rene v1 Classic (DEMO)
SALE, Sequencer & MixerRp8.250.000,00The René music synthesizer module is the world’s only Cartesian Sequencer for music synthesizers. Named for the French philosopher & mathematician René Descartes, it uses his Cartesian coordinate system to unlock the analog step sequencer from the shackles of linearity.
Usage of boolean operations between trigger inputs.
Provides quantized voltages and also unquantized voltages at the same time.
Named for the French philosopher & mathematician René Descartes, it uses his Cartesian coordinate system to unlock the analog step sequencer from the shackles of linearity.-Maximum amount of artist controlled musical variation, derived from minimum amount of data input
-ALL programming done real-time, programming of René is a key performance element
-Up to 4 clock inputs and 2 CV inputs may be used simultaneously to achieve complex, musical patterns
-1 Quantized Voltage Out (forced to programmed musical scales) useful for controlling pitch on DPO
-1 non-quantized voltage out, useful for controlling timbre or pitch throughout the system
-2 gate/ pulse streams, useful for generating Timing Events within a patch or to Trigger an Function Generator such as MATHS
- 80 mA +12V
- 0 mA -12V
- 0 mA 5V
- 24 mm deep
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2HP – LPF (DEMO)
SALERp1.650.000,00LPF is a four-pole, voltage controlled low-pass filter. Its 24 dB per octave slope and OTA topology provide a smooth, buttery character. Resonance can be pushed to self oscillation, turning it into a sine wave VCO with accurate 1V/oct tracking across four octaves.
In addition, CV over resonance gives dynamic sound shaping possibilities under voltage control. Hit the slope with LPF.
- Analog, voltage controlled low pass filter
- Classic four pole, OTA topology
- CV over resonance
- Capable of self oscillation
- Accurate 1V/oct tracking across four octaves
- Skiff friendly
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Erica Synths – Pico Trigger (DEMO)
SALE, Sequencer & MixerRp1.800.000,00Erica Synths Pico Trigger module provides a master clock for the Pico System and it generates up to 16 step patterns of 4 triggers, simple clock divider patterns, and more advanced polyrhythmic patterns of different step length for triggering drums.Features
- Selectable internal clock or external clock
- Clock output
- Polyrhytmic patterns
- Adjustable shuffle
- 4 trigger outputs
- 8 pattern memory
- Web-based pattern design interface
- Pattern upload via CLK input
You can design your patterns in a custom web interface and then upload them to the module via CLK in 3,5mm jack.
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Erica Synths – Pico Seq (DEMO)
SALE, Sequencer & MixerRp2.050.000,00Erica Synths Pico SEQ is a mighty, performance oriented 16 step CV and Gate sequencer packed with virtually all possible features you might expect from a sequencer just in 3HP!Features
- Electable sequence length – up to 16 steps
- Quantized CV output – 9 different scales
- Adjustable Gate length for each step
- Step off and step merge function
- Slide function on selected steps
- Transpose function
- Random play function (within a scale)
- 5 play modes
- Sequence memory (16 sequences with all settings)
Despite the small size it’s easy to program and most importantly – up to 16 patterns can be saved in memory and instantly recalled.
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Intellijel – Dixie 2+ (DEMO)
SALE, Oscillator & Sound GeneratorRp3.750.000,00Full-featured triangle core VCO/LFO
The Dixie II+ is a larger variant of the classic Dixie II. Using the same great triangle core oscillator, it adds a number of features to make it even more versatile with only a modest increase in size. The DixieII+ makes a great primary oscillator for a modular system, or a great companion the Rubicon.
Features
* 8-position octave switch for quick setting of course tuning.
* Fine tuning knob that turns to a coarse knob when in LFO mode.
* Dual FM inputs, with FM1 attenuator and switch to select between exponential and linear mode.
* Pulse width control with attenuator.
* Reset to 0 V hard sync input, ideal for percussive sounds or modulation.
* Flip sync circuit similar to but improved from the Dixie II.
* 6 waveform outputs: sine, triangle, zigzag, saw, pulse and suboctave.- 70 mA +12V
- 60 mA -12V
- 0 mA 5V
- 40 mm deep
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TipTop Audio – One (USED)
SALE, Oscillator & Sound Generator, USEDRp2.500.000,0024bit 96k Mono Sample Player
ONE brings organic sound and super low latency sample playback to the modular. It differs from other sample players in that it handles the digital audio bits as a continuously manipulated electrical flow, a feature inspired by our analog knowhow. This unique core makes ONE truly integral within the Tiptop percussive modular ecosystem thanks to a lightweight and responsive digital circuit with a very analog feel.
ONE brings a world of colors to the modular right out of the package. We have invited some of the best sound designers in the Industry to create professional sound libraries with content tailored to the unique sonic framework of the modular synthesizer and that fully takes advantage of ONE’s unique qualities. To start with, ONE comes with a SD card loaded with a free set of 60 sounds designed by Glitchmachines. More cards are available to purchase separately each containing carefully selected material with up to 256 sound files. Using your own sample libraries or recordings is easy too, just copy 16 or 24bit mono WAV files onto the SD card, pop the card into ONE and go.
ONE offers several modes of operation, with the primary being the super low latency Trigger mode that retrieves audio data off the SD card adding no artificial processing such as click removal, crossfading, eq or gain normalization. In this mode, it’s a highly transparent player up to 24 bit 96kHz with no interpolation of the audio data: what you put in is what you get out. With a delay as low as 0.25ms from the moment the trigger hits, ONE offers harmonically dense, clear and detailed audio with a great rhythmic feel.
ONE handles external CV through a user selectable multifunction jack. Pitch is the main control with two modes available: Free pitch allows for fine tuning of the playback rate, great for adding subtle vibrato or wild tape speed effects; Quantized pitch maps CV to the standard 12 tone system over 3.5 octaves and is ideal for melodic content. CV can also be used to sequence through files off the SD card allowing far more varied sounds from a single source; almost like an entire percussion section behind the slim panel.
Although originally designed to play tightly with our analog drums and envelopes, ONE’s rich sound quality encouraged us to make it work in a variety of other applications that are less demanding of sub millisecond timing response. The extra headroom at the core level allows features such as Gated playback, Looping, and Triggering with fades in and out to accommodate different types of sound sources from drum loops to polysynth chords to noise sources and other yet unimagined uses.
ONE offers another useful dimension since it can play CV signals too. Drop in a card with LFO signals, random CV, slopes and envelopes for a whole set of new control and modulation possibilities.
ONE is as simple to use as it is affordable and plays extremely well with it’s analog cousins – our vision for bringing samples into the modular world.
NOTE – each ONE ships with a VCTRS SD card. See website for details.
- 80 mA +12V
- 8 mA -12V
- 0 mA 5V
- 43 mm deep
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Doepfer – A138u Dual Micro Mixer (USED)
SALE, Sequencer & Mixer, Effects, Utilities, MIDI, USEDRp850.000,00Dual Micro Mixer (2×3)
Great space effective unity mixer for audio and cv. Trimpot on the back for gain staging.
Module A-138u is a simple, low-cost mixer with two units. Each unit is equipped with three inputs and one output. The upper unit has for each input a trimming potentiometer available that allows to adjust the amplification in the range 0…+1 for each input (factory setting is 1 for all inputs). The inputs of the lower unit all have the same amplification +1.
The output of the upper unit is normalled to the first input of the lower unit. That way the module can be used also as a mixer with five inputs: for this the inputs 1, 2 and 3 of the upper unit ad the inputs 2 and 3 of the lower unit are used. The sum output for all five signals is then the output of the lower unit. As soon as a plug is inserted into input 1 of the lower unit the module becomes a dual 3-in-1 mixer again.
Inputs and Outputs are DC-coupled, i.e. audio and control signals can be mixed.Application examples:
- Mixer for audio signals, e.g. three VCOs preceding a VCF, when the amplifications are adjusted slightly different no signal extinction occurs during the beat of the VCOs
- Mixer for control voltages (e.g. LFOs, envelope generators, random voltages)
- 10 mA +12V
- 0 mA -12V
- 0 mA 5V
- 25 mm deep
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Synthesis Technology – E330 Multimode VCO (USED)
SALE, Oscillator & Sound Generator, USEDRp3.000.000,00Multimode VCO with features from the E340 and E350, plus FM
The E330 is a digital oscillator with three very different synthesis methods and two voltage controllable “effect inputs”. The audio signal is emitted at two outputs.
DETAILS
The three modes of the E330 are:
– Two-operator FM
– Wavetable synthesis with a selection of waves from the E350 Morphing Terrarium in Z.Morph mode.
– Cloud oscillator with the four-oscillator mode of the E340 Cloud Generator (both with sines and sawtooths)CONNECTORS
1V/octave input, FM input, sync input
Two CV inputs, two audio outputs- 50 mA +12V
- 15 mA -12V
- 0 mA 5V
- 32 mm deep
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Mutable Instruments – Branches (USED)
SALE, Effects, Utilities, MIDI, USEDRp1.650.000,00Dual Bernoulli gate
Two Bernoulli gates. Each of them route each incoming gate/trigger to either of its two outputs. The decision is random, with a controllable amount of randomness (pots + CV input).
Two control modes:
– “Direct” in which HEAD = output A ; TAIL = output B.
– “Toggle” in which HEAD = stay on the same output as before ; TAIL = switch to the other output.http://mutable-instruments.net/modules/branches
- 25 mA +12V
- 1 mA -12V
- 0 mA 5V
- 20 mm deep
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Winter Modular – Eloquencer
SALE, Sequencer & Mixer, NEWRp10.250.000,00The Eloquencer is a powerful and versatile eurorack sequencer that can be used both as a performance and a composition tool. It’s designed to be intuitive, easy to use, and quick to edit.
It has been built around the “controlled chance” concept. This means you can decide when and where there will be randomness and how much this randomness will affect your sequences.
It features 8 tracks of CVs and Gates in a 16 step disposition, but with the ability to define larger bar counts or chaining patterns to build multiple song parts of 256 steps each.
Parameters like CV, Gate, Gate Length and Ratcheting can be randomized in different ways to obtain permanently evolving patterns.
Many of the parameters can be linked to the CV inputs to give additional layers of variation.
An OLED screen provides contextual feedback for all the parameters, and it’s also used to navigate through the menus.
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Deluxe Flying Bus Cable – Synthrotek
Cables & AccesoriesRp235.000,00The Deluxe 10 Connection Flying Bus Cable makes connecting power to your module a snap and a reality, especially if you have 10-pin powered module that has little room around the power pins. There are 10 Male Shrouded and Keyed Eurorack connectors for distributing power to your modules. There are also two keyed 16-pin female connectors for powering the cable and for daisy-chaining another flying bus cable (although you could connect this end directly to a module that takes 16-pin power (or 10 if there is room).
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Glow Worm Cable 80 cm / 31″
Cables & AccesoriesRp50.000,00Glow in the dark Eurorack patch cable from Glow Worm Cable!
Length: 80 cm | 31.4 inch
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Glow Worm Cable 60 cm / 23″
Cables & AccesoriesRp47.500,00Glow in the dark Eurorack patch cable from Glow Worm Cable!
Length: 60 cm | 23.6 inch
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Glow Worm Cable 50 cm / 19″
Cables & AccesoriesRp45.000,00Glow in the dark Eurorack patch cable from Glow Worm Cable!
Length: 50 cm | 19.8 inch
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Glow Worm Cable 40 cm / 15″
Cables & AccesoriesRp42.500,00Glow in the dark Eurorack patch cable from Glow Worm Cable!
Length: 40 cm | 15.7 inch
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Hypoxia “Division of Trust” EP – Make Noise Records
Records, NEWRp300.000,00A: “Hidden Error”
B: “Hidden Conduct”Recorded in artist’s studio in Los Angeles, July, 2016.
Instrument: Custom Make Noise SystemDivision of Trust is dedicated to Virginia Pulido 1923-1995.
Division of Trust EP is comprised of two individual live performances recorded in a single take without any multi-tracking, as with all Hypoxia recordings.
This process is vital to the dynamics and emotional movement of the music so that each piece reflects a particular moment, even its imperfections.
