Bask in the gløry øf the days øf yøre…when mødems and dial-up tønes reigned supreme. That gød awful søund emitted as yøu tried with all øf yøur might tø ping a cømmunicatiøn acrøss the gløbe…that søund…is precisely what we have harnessed and packaged intø a percussiøn vøice før the mødern day cyber junkie.
DIAL-UP! The øscillatør cøre has a single knøb (lil’ cømputer) which scrambles the glitch algørithm. Bipølar CV cøntrøl øver this parameter can be accessed by the CV input (lil’ phøne). The øscillatør gøes intø an ønbøard transistør VCA with built in decay enveløpe. Decay times can be changed with the “tail” knøb as well as the three pøsitiøn range switch which selects the max decay range frøm løw, medium, tø high. The BANG! input døes nøt ønly accept triggers, it can alsø be used as an enveløpe følløwer.
It’s difficult tø say what exactly the knøb and CV dø, as this parameter is respønsible før cøntrølling several different pieces øf the cøde at ønce. It’s a sørt øf hybrid between the øverall pitch and the amøunt in which the mødule glitches øut.
4HP GLITCH DRUM
DECAY KNØB WITH 3 PØSITIØN RANGE SWITCH
BANG! INPUT DØUBLES AS ENVELØPE FOLLOWER
GLITCH KNØB WITH BIPØLAR CV INPUT FØR GLITCH AMØUNT
The SWAMP is a random CV and audio generator inspired by the famous Wiard Wogglebug module; it’s often the heart of self-generating patches and brings controllable randomness to your modular system.
In the SWAMP module we introduced numerous modifications and improvements to extend potentiometer range, added an audio input, which, when connected, replaces the internal Tone oscillator, replaced the expensive dual vactrol, built S&H circuit around the made in Riga S&H IC AS1100CK2, added audio waveform selection switches, CV output configuration jumpers and much more.
Three random audio frequency outputs
External audio input routed to ring modulator
Three random CV outputs
Clock input and output to sync the module to your modular system
CV control over internal clock for even more extreme randomness
The core of the Envelope Generator is borrowed from famous Russian synth Polivoks , but significantly updated schematics – eurorack standard positive gates, envelope amplitude, inverted envelope output, looping feature (looping on gate on). Bonus feature Gate Delay – the module outputs delayed gate signal after Attack stage. Chain up several (4-5) Envelope Generators, each with delayed gate to create evolving polyphonic synth-like pads!
Control your drum modules and trigger events on your modular from any MIDI sequencer!
If you want to use a MIDI sequencer to trigger events on your modular synthesizer (e.g. using the hexinverter.net Mutant drums range or Tiptop Audio classical drum modules or envelope generators to control VCAs), Erica Synths MIDI to trigger module is just what you need; it converts ANY MIDI notes to eight 10ms Trigger signals. When designing the module, we put usability as priority; it will take you seconds to program the module. It works with any MIDI sequencer & controller so there is no need to change MIDI controller settings, instead, you reprogram the module.
The Atlantis is heavily inspired by the architecture and sound of the classic Roland SH-101. It has always been one of our favorite synths and we really liked how the seemingly limited architecture allowed for all sorts of creative and musically useful sounds to be easily generated. Just like the 101, it is quick to dial in a beautifully rich bass and lead sounds but there is much more sonic territory to explore as well.
Modulation VCO: triangle core with Hard Sync and Link switch to connect pitch to primary
Primary VCO: triangle core with Hard Sync, Octave switches, Linear/Exp FM and PWM
Global modulation bus with four VCO waveforms, noise and S&H options
Cascaded 4-Pole multimode filter
Looping ADSR with range switch, manual gate, and external level (velocity) control.
Three position output clipping circuit
27 jacks for creative and complex patching options