16-Tap Stereo Spectral Rhythm Delay And Comb Resonator
Make It Rain… Or Shine
Cylonix and Intellijel are at it again with a combination rhythm and comb delay module. The Rhythm Delay allows individual control of any or all 16 taps—set timing, level, pan, filter type, cutoff and Q on each tap. The Comb Delay opens up further possibilities for complex comb filtering, along with resonator or reverb effects. Bring some light showers or something more torrential to your rack.
Rainmaker is a deluge of a delay module made up of two main sections: Rhythm and Comb. In the Rhythm Delay section, exhaustive control of all 16 taps is at your fingertips. You can set Levels, Panning, Filter Type, Cutoff and Q for each tap, and make many adjustments to their timing and behavior. The Comb section opens up further possibilities for complex comb filtering, along with resonator or reverb effects. Whether your patch needs some light showers, or something more torrential, Rainmaker has you covered.
16-Tap Rhythm Delay section with comprehensive control of each tap
Comb Delay section with up to 64 taps controlled by preset patterns, slopes, and filters.
Delay CLK IN, Comb CLK IN, CLK OUT and clock dividers allow for synchronization with other elements in your patches.
96KHz, 24-bit (32-bit internal) signal processing
Most parameters are controllable by external control voltages, either directly or through the two auxiliary modulation inputs (MOD A, MOD B)
Audio-rate randomization of all parameters, or selectable subsets of parameters
128 Preset slots with online preset librarian via Laser Mammoth and USB connectivity
The Intellijel/Cylonix Rainmaker eurorack-format module provides a high-quality (96KHz sampling rate with 32-bit internal processing) stereo rhythmic delay and stereo comb resonator effect.
The Stereo Rhythm Delay has 16 taps, each with its own resonant 2nd-order filter and granular pitch shifter. The filters have independently adjustable resonance and cutoff frequency, and can be set to either lowpass, bandpass, highpass or bypass operation. The filters are also capable of self-oscillation, enabling modal synthesis techniques. The granular pitch shifters have a range of 15 semitones up or 16 semitones down. Each tap can repeat at a rate value set in tap#’s in order to create regenerating echo effects. The feedback signal has a lowpass/highpass tone control and its own pitch shifter. The tap delay times can range from 0.1 millisecond up to a maximum of 20 seconds. The overall delay times can be set with the rotary encoder, the tap tempo button, or synced to an external clock.
The Stereo Comb Resonator section has 64 time-delayed taps which are summed together. This produces a deep comb filter or resonating effect. At large comb sizes (long time delays) a multiple echo effect is produced. The density of the resonator can be varied from 2 to 64 taps. The tap with the longest delay time is fed back to the input. High feedback levels, with short comb sizes, produce “Karplus-Strong” types of plucked string sounds. The relative timing of the 64 taps are set according to one of 16 different preset patterns, which provide different resonator timbres or echo rhythms. The comb size can be set either with the rotary encoder, an external clock, synched to the delay clock, or through a transposable 1v/oct input voltage.
The Rainmaker module has extensive voltage control capabilities. Direct voltage control is available for the delay feedback level and tone, the global pitch shift for all delay taps, the comb resonator size, and comb feedback level. There are two assignable modulation inputs, which can be assigned to different parameters in each preset. A trigger input with assignable functionality can trigger built-in types of noise bursts, freeze the delay buffer, reverse the delay, randomize parameters, mute taps, and much more.
16-Tap Stereo Rhythm Delay
Each of the 16 taps has its own set of audio processors:
2nd order resonant multi-mode filter (LP,BP,HP) with adjustable cutoff frequency and resonance
Level and Balance setting, with quick mute capability
+/- 1 octave granular pitch shifter. 1,2 or 4 grains with adjustable grain size.
Delay line feedback can be taken from any of the 16 taps (pre-filter) or from the sum of the 16 taps (post-filter)
Delay line feedback has its own granular pitch shifter and 1st-order tone filter
Global delay time can be set either by manual entry with the encoder, or by an external clock with adjustable clock divider, or by tap tempo button.
Individual tap delays are set according to one of 16 preset grooves
Global delay time modulation by an LFO with 8 selectable waveforms
Delay times range from 0.1 millisecond to 20 seconds.
Delay buffer freeze and reverse
Taps can be piled on top of each other to give complex filtering and chord effects
Global pitch shift control which transposes the delay line output by +/- 1 octave
Stereo Multi-Tap Comb Resonator
Comb can have between 1 and 64 taps allowing for complex resonances
Three different nonlinear comb feedback structures for spectral shaping
Comb is pingable to give physically-modeled guitar, sitar, and clarinet types of sounds
16 different comb tap spacing patterns
Global comb time can be set either by manual entry with the encoder, or by an external clock (with adjustable clock divider), or by a 1v/oct control voltage.
Global comb time modulation by an LFO with 8 selectable waveforms
Comb times range from 0.1 millisecond to 20 seconds.
Each Rainmaker currently ships with a set of 68 factory presets plus an additional 41 presets created by sound designer extraordinaire Richard Devine.
Thanks to Laser Mammoth there is now an online SysEx librarian for managing Rainmaker presets. Visit the Laser Mammoth website to share your presets!
If you want to return your Rainmaker back to the initial factory conditions you can download the presets file and upload it to your module via the display’s MIDI sysex interface: rainmaker_factory_presets_1.00.syx
NOTE: This will overwrite your user presets.
Instructions for uploading the presets are found in the manual.
The Erbe-Verb is more than a collection of reverb algorithms or presets, it is a unique, modeless, continuously variable reverb algorithm with complete voltage control. Typical reverb types such as plate, room, hall, shimmer and others may be programmed by adjusting the knobs. The continuously variable algorithm allows for hybrid and unreal spaces to be found. Traveling between spaces is possible by modulating the algorithm or manually sweeping parameters. More than an end-of-chain effects unit, it’s a whole new building block for modular synthesis. Like the Echophon, it’s coded by Tom Erbe of soundhack.
The Morphagene is a next generation tape and microsound music module that uses Reels, Splices and Genes to create new sounds from those that already exist. Search between the notes to find the unfound sounds.
A few of the Morphagene’s most basic uses: Splice recorded audio and jumble it using ORGANIZE. Manipulate playback speed and direction with Vari-Speed. Granularize with Gene-Size and Slide. Layer or Stagger Genes using MORPH. Undertake iterative music processes by recording manipulations and overdubs into new Splices, like having two machines (one for Playback and modulations, one for Record). Process sound in real time using Time Lag Accumulation. Utilize envelope following CV OUT and EOSG Trigger to engage Morphagene in conversation with the rest of your modular system. Stretch and squash sound with Clock input.