ONE brings organic sound and super low latency sample playback to the modular. It differs from other sample players in that it handles the digital audio bits as a continuously manipulated electrical flow, a feature inspired by our analog knowhow. This unique core makes ONE truly integral within the Tiptop percussive modular ecosystem thanks to a lightweight and responsive digital circuit with a very analog feel.
ONE brings a world of colors to the modular right out of the package. We have invited some of the best sound designers in the Industry to create professional sound libraries with content tailored to the unique sonic framework of the modular synthesizer and that fully takes advantage of ONE’s unique qualities. To start with, ONE comes with a SD card loaded with a free set of 60 sounds designed by Glitchmachines. More cards are available to purchase separately each containing carefully selected material with up to 256 sound files. Using your own sample libraries or recordings is easy too, just copy 16 or 24bit mono WAV files onto the SD card, pop the card into ONE and go.
ONE offers several modes of operation, with the primary being the super low latency Trigger mode that retrieves audio data off the SD card adding no artificial processing such as click removal, crossfading, eq or gain normalization. In this mode, it’s a highly transparent player up to 24 bit 96kHz with no interpolation of the audio data: what you put in is what you get out. With a delay as low as 0.25ms from the moment the trigger hits, ONE offers harmonically dense, clear and detailed audio with a great rhythmic feel.
ONE handles external CV through a user selectable multifunction jack. Pitch is the main control with two modes available: Free pitch allows for fine tuning of the playback rate, great for adding subtle vibrato or wild tape speed effects; Quantized pitch maps CV to the standard 12 tone system over 3.5 octaves and is ideal for melodic content. CV can also be used to sequence through files off the SD card allowing far more varied sounds from a single source; almost like an entire percussion section behind the slim panel.
Although originally designed to play tightly with our analog drums and envelopes, ONE’s rich sound quality encouraged us to make it work in a variety of other applications that are less demanding of sub millisecond timing response. The extra headroom at the core level allows features such as Gated playback, Looping, and Triggering with fades in and out to accommodate different types of sound sources from drum loops to polysynth chords to noise sources and other yet unimagined uses.
ONE offers another useful dimension since it can play CV signals too. Drop in a card with LFO signals, random CV, slopes and envelopes for a whole set of new control and modulation possibilities.
ONE is as simple to use as it is affordable and plays extremely well with it’s analog cousins – our vision for bringing samples into the modular world.
NOTE – each ONE ships with a VCTRS SD card. See website for details.
The core of the VCO is borrowed from famous Russian synth Polivoks VCO and in exponential converter we use the original matched transistor IC that was used in Polivoks. But there are significant updated schematics to have the most out of your modular setup.
Erica Synths DIY Modulator is 35mm deep, skiff friendly, has solid mechanical construction and doesn’t require wiring.
The Modulator essentially is LFO with simultaneous triangle and square wave outputs, clockable S&H with external CV input and noise source. A kit comes with two versions of noise generator – simple, transistor-based and more complex Zener diode-based one. Latest provides perfect, full spectrum white noise.
LFO with triangle and pulse wave outputs
Choice of transistor-based or Zener diode-based noise generator for massive, full spectrum white noise
Polivoks VCF is famous for its’ crazy resonance sweeps and deep, bassy sound which makes it ideal for acid basslines.
We believe, this is one of most is one of most authentic sounding famous Russian synth Polivoks VCF emulations available. The original Russian ICs K140UD12 are used in the sound circuit. We did several updates to adapt the VCF for contemporary modular synth demands. Independently buffered inputs, extended Cutoff knob range, eliminated clicks, when switching filter modes, and output stage added to eliminate signal inversion.