ONE brings organic sound and super low latency sample playback to the modular. It differs from other sample players in that it handles the digital audio bits as a continuously manipulated electrical flow, a feature inspired by our analog knowhow. This unique core makes ONE truly integral within the Tiptop percussive modular ecosystem thanks to a lightweight and responsive digital circuit with a very analog feel.
ONE brings a world of colors to the modular right out of the package. We have invited some of the best sound designers in the Industry to create professional sound libraries with content tailored to the unique sonic framework of the modular synthesizer and that fully takes advantage of ONE’s unique qualities. To start with, ONE comes with a SD card loaded with a free set of 60 sounds designed by Glitchmachines. More cards are available to purchase separately each containing carefully selected material with up to 256 sound files. Using your own sample libraries or recordings is easy too, just copy 16 or 24bit mono WAV files onto the SD card, pop the card into ONE and go.
ONE offers several modes of operation, with the primary being the super low latency Trigger mode that retrieves audio data off the SD card adding no artificial processing such as click removal, crossfading, eq or gain normalization. In this mode, it’s a highly transparent player up to 24 bit 96kHz with no interpolation of the audio data: what you put in is what you get out. With a delay as low as 0.25ms from the moment the trigger hits, ONE offers harmonically dense, clear and detailed audio with a great rhythmic feel.
ONE handles external CV through a user selectable multifunction jack. Pitch is the main control with two modes available: Free pitch allows for fine tuning of the playback rate, great for adding subtle vibrato or wild tape speed effects; Quantized pitch maps CV to the standard 12 tone system over 3.5 octaves and is ideal for melodic content. CV can also be used to sequence through files off the SD card allowing far more varied sounds from a single source; almost like an entire percussion section behind the slim panel.
Although originally designed to play tightly with our analog drums and envelopes, ONE’s rich sound quality encouraged us to make it work in a variety of other applications that are less demanding of sub millisecond timing response. The extra headroom at the core level allows features such as Gated playback, Looping, and Triggering with fades in and out to accommodate different types of sound sources from drum loops to polysynth chords to noise sources and other yet unimagined uses.
ONE offers another useful dimension since it can play CV signals too. Drop in a card with LFO signals, random CV, slopes and envelopes for a whole set of new control and modulation possibilities.
ONE is as simple to use as it is affordable and plays extremely well with it’s analog cousins – our vision for bringing samples into the modular world.
NOTE – each ONE ships with a VCTRS SD card. See website for details.
Erica Synths DIY Modulator is 35mm deep, skiff friendly, has solid mechanical construction and doesn’t require wiring.
The Modulator essentially is LFO with simultaneous triangle and square wave outputs, clockable S&H with external CV input and noise source. A kit comes with two versions of noise generator – simple, transistor-based and more complex Zener diode-based one. Latest provides perfect, full spectrum white noise.
LFO with triangle and pulse wave outputs
Choice of transistor-based or Zener diode-based noise generator for massive, full spectrum white noise
The SWAMP is a random CV and audio generator inspired by the famous Wiard Wogglebug module; it’s often the heart of self-generating patches and brings controllable randomness to your modular system.
In the SWAMP module we introduced numerous modifications and improvements to extend potentiometer range, added an audio input, which, when connected, replaces the internal Tone oscillator, replaced the expensive dual vactrol, built S&H circuit around the made in Riga S&H IC AS1100CK2, added audio waveform selection switches, CV output configuration jumpers and much more.
Three random audio frequency outputs
External audio input routed to ring modulator
Three random CV outputs
Clock input and output to sync the module to your modular system
CV control over internal clock for even more extreme randomness
The Atlantis is heavily inspired by the architecture and sound of the classic Roland SH-101. It has always been one of our favorite synths and we really liked how the seemingly limited architecture allowed for all sorts of creative and musically useful sounds to be easily generated. Just like the 101, it is quick to dial in a beautifully rich bass and lead sounds but there is much more sonic territory to explore as well.
Modulation VCO: triangle core with Hard Sync and Link switch to connect pitch to primary
Primary VCO: triangle core with Hard Sync, Octave switches, Linear/Exp FM and PWM
Global modulation bus with four VCO waveforms, noise and S&H options
Cascaded 4-Pole multimode filter
Looping ADSR with range switch, manual gate, and external level (velocity) control.
Three position output clipping circuit
27 jacks for creative and complex patching options