A true spring reverb is an almost magical device. Deceptiviely simple in concept but capable of producing extremely rich and hauntingly beautiful sounds. Not just a retro novelty; spring reverbs are still used extensively whether it is nailing a classic dub reggae sound, adding some shimmer to a synth riff or creating some space on a vocal track in a big studio. This is a reverb that rewards real-time tweaking: crank the feedback, sweep the filter and play with the ghostly feedback drones that ensue. Better yet, try animating them with CV and inserting other modules into the feedback path.
Delay is a flexible, full-featured delay audio processor. CV over all parameters provides dynamic access to its nuanced controls. The feedback path ranges from slapback to infinity, allowing for wild permutations of the original signal.
With delay times from milliseconds to nearly two seconds, Delay is sure to find a use in every patching situation. Add subtle echo to a melodic line, or crank up the feedback and hear a bed of layered sounds to bury your listeners in.
Only available in black. Please send us a message if you’d like to have the module with silver faceplate.
The Multiple is a simple but important module that allows for sending a signal to multiple destinations. Within the Make Noise system the Multiple may also be used for combining clock, gate and pulse signals together to create interesting timing sources (in other words, it acts as a Gate combiner aka logic OR circuit). It has 9 inter-connected sockets that may be split into different group combinations depending upon how it is patched. The jacks circled in white will make or break the interconnects between the 3 groups of three, thus allowing for three 3-way, one 5-way/ one 3-way or one 7-way multiple. The Multiple is passive, because the Make Noise system does not require Buffered Multiples since all critical control signals are already buffered in such a way as to provide a large fan-out capability.